Gods wall to wall: gods in fantasy 1989-2020
This thesis examines how fantasy writers utilize gods and the divine to explore power dynamics and individual agency within sacred concepts upheld by society. It investigates how fantasy authors, working in the period from 1989 to 2020, have depicted gods engaging with humanity, allowing for cross-readings of their roles in relation to power dynamics. Building on previous studies, this thesis provides, for the first time, a comprehensive view of how deities in fantasy literature reflect societal needs and how authors use gods to shape and challenge contemporary ideologies.
Chapter 1 explores the role of belief in imbuing concepts with power and the responsibility and agency people have in exercising belief's generative power. The relationship of that belief with mortal expectation is further considered in Chapter 2 which focuses on divine manifestations, analysing how gods' appearances are shaped by perceptions and biases and how power dynamics influence these manifestations. The shift from manifestation/ projection to flesh limited reality is the focus of Chapter 3 which delves into the implications of divine incarnation, examining how gods' embodiment in flesh reshapes power dynamics and understanding. While Chapters 2 and 3 consider the divine being as physically separate from the mortal, Chapter 4 investigates possession as a method of mortal-divine interaction, considering issues of consent and agency, when the boundaries of self-hood are breached in this manner. The final chapter, Chapter 5, reflects on the waning of belief and how shifts in belief are mirrored in the portrayal of gods and divine power, emphasizing the need to embrace change and remain engaged with power structures.
Throughout this thesis, the significance of fantasy literature as a space for critical analysis and the reimagining of societal values and structures is highlighted. It argues that fantasy provides a unique platform to challenge and transform our understanding of the real world by presenting alternative realities that encourage reflection and change. Ultimately, this thesis contributes to a deeper understanding of how fantasy literature engages with the complex interplay of power, belief, and agency in society.
History
Institution
Anglia Ruskin UniversityFile version
- Published version
Thesis name
- PhD
Thesis type
- Doctoral