Analysis of conventionally notated Western music typically ignores how a score looks on the page. This article is about the precise visual appearance of the late period manuscripts of Morton Feldman (1926–1987), and how this appearance relates to processes and transformations that occur in other musical domains within the pieces, presenting challenges, dilemmas and opportunities for the analyst, performer and publisher.
History
Refereed
Yes
Volume
1
Issue number
1
Page range
7-24
Publication title
Current Issues in Music
ISSN
1447-7939
Publisher
Southern Voices
File version
Published version
Language
eng
Legacy posted date
2010-11-19
Legacy creation date
2020-10-07
Legacy Faculty/School/Department
ARCHIVED Faculty of Arts, Law & Social Sciences (until September 2018)